Select Conference Papers

- "'That sustained, melancholy sound': Coordinating inner, imagined sound in four-hand piano performance." Piano Four Hands Music Symposium "Vierhändig, immer einmal!", Graz, Austria, January 2019.

· “Narrative in Nineteenth-Century Piano Music: An Embodied Approach.” Academic Conference on Music, Communication, and Performance, Montecassiano, Italy, June 2018.

· "Imagined, Supplemental Sound as a Source of Agency in Musical Embodiment." 2015 Annual Meeting of the South Central Society for Music Theory, Loyola University, New Orleans, March 2015.
 
· "Imagined (Supplemental) Sound in Musical Embodiment." THEMUS Conference, Temple University, Philadelphia, April 2015.

· “Familiar Recordings and the Ritual of Repeated Listening.” Conference of the New Zealand Musicological Society, Wellington, New Zealand, October 2015.
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· “Imagined Sound in Performances of Nineteenth-Century Piano Music: An Embodied Approach.” Performance Studies Network–Third International Conference, University of Cambridge, July 2014.
 
· “Imagining and Performing Sound in Nineteenth-Century Piano Music.” Imagining Sound in the Early Nineteenth Century Conference, Cornell University, April 2013.
 
· “What’s Wrong with Being ‘Literal’? Mark Morris’s All Fours.” Princeton, Cornell, Penn, & Columbia Conference, Princeton University, February 2012.

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